Mone’t Symone

Charlotte, North Carolina isn’t just a city—it’s a living, breathing mixtape. On any given night, you’ll hear the pulse of Soul, the bounce of Afro-beats, the fire of Reggaeton, and classic Hip-Hop and R&B drifting from open doors and car windows. For Mone’t Symone, Charlotte’s musical diversity wasn’t just background noise—it was the soundtrack to her coming-of-age and the foundation for her artistry. “Growing up here, I never felt boxed in,” she says. “Charlotte is a city that lets you be who you are, try new things, and blend the old with the new.”

Mone’t’s earliest musical memories are rooted in the church pews. Sunday mornings weren’t just about singing—they were about feeling. The choir taught her about dynamics and emotion: how to build a song, how to bring a congregation to its feet, and how to pour your whole self into every note. “Church taught me the power of music to move people,” she recalls. “It’s where I learned that music is more than just sound—it’s connection.”

As a teenager, Mone’t found her voice at open-mic nights across the city. These weren’t polished, glitzy showcases—they were raw, unpredictable, and sometimes intimidating. But they were also where she learned to take risks, experiment with her sound, and share her stories. “Charlotte’s indie scene is competitive, but it’s also supportive,” she says. “You have to work for respect, but once you earn it, people root for you.” Juggling two day jobs while gigging and recording at night, Mone’t learned resilience and the value of hustle—qualities that would become essential as she navigated the music industry on her own terms.

Music wasn’t just an escape for Mone’t—it was therapy. Early in her journey, she faced the devastating loss of her father. That pain, along with her experiences as a mental health and domestic violence survivors advocate, became the raw material for her songwriting. “I write about self-worth and healing because I’ve lived it,” she says. “My music is my way of turning pain into something beautiful and hopefully helping others do the same.”

At just 13, Mone’t’s talent caught the attention of industry insiders. She auditioned for Gerald Levert’s Levert Entertainment and was offered an artist development deal—a dream come true for any young singer. But her mother insisted she finish high school first. “At the time, I was crushed,” Mone’t admits. “But looking back, I’m grateful. It gave me time to grow up, to figure out who I was, and to develop at my own pace.” Instead of jumping straight into the industry, she honed her skills through school talent shows, earned a college degree, and learned the nuances of studio work. This slow-burn approach taught her patience and the importance of authenticity—values that still guide her career today.

By 13, Mone’t had access to recording equipment and was already laying down rough cuts of unreleased songs. At 16, she released her first official single, “Diamond.” If she could speak to her younger self, she’d say: “Enjoy the process. Don’t compare your voice to your idols. Trust your pen, and remember that vulnerability is your superpower.” Those early sessions were less about chasing perfection and more about learning to tell her truth—a lesson that continues to resonate in her music.

Mone’t’s musical DNA is a blend of influences from some of the most powerful women in music. Lauryn Hill taught her that hip-hop and soul could be fused with poetry and activism. “Lauryn’s storytelling cadence and her insistence on self-respect in relationships really shaped how I write,” says Mone’t. Erykah Badu’s neo-soul experimentation inspired her to blend singing with spoken word, layering airy harmonies over heavy basslines. India Arie’s emphasis on acoustic instrumentation and affirmations encouraged Mone’t to write lyrics that celebrate self-love and women’s empowerment. “These women showed me that you can be vulnerable and strong at the same time,” she says.

“Reserve Lane” wasn’t just another single—it was a turning point. Written after heartbreak and deep self-reflection, the song is about choosing your own lane and refusing to let anyone else define your worth. “I wrote it after ending a relationship and realizing I needed to reserve space for myself—to heal, set boundaries, and rediscover who I was,” Mone’t explains. The track is both a confession and an anthem: “There’s pain, but there’s also freedom in reclaiming yourself.” She hopes listeners feel validated in stepping away from unhealthy situations and empowered to celebrate their own healing.

“Hennessy” is a masterclass in visual metaphor. The “Your Beat My Movie Award”–winning music video finds Mone’t at a dimly lit bar, pouring shots that symbolize emotional baggage. Scenes flash between her present-day independence and memories of a toxic relationship. In the final shot, she leaves the bottle on the bar and walks out—a powerful image of letting go and choosing healing over numbing pain. “The visuals make the song’s metaphor literal,” Mone’t says. “It’s about how easy it is to get lost in pain, but also how powerful it is to choose yourself.”

For those new to her music, Mone’t recommends starting with “Hennessy” or “Reserve Lane.” “Hennessy” introduces listeners to her smoky, confessional style, while “Reserve Lane” showcases her growth as a songwriter and her ability to turn personal healing into universal anthems. Earlier tracks like “Diamond” and “Addicted” are rooted in classic R&B, while “Move On” (featuring Ajaeze) infuses Afro-fusion energy. “Dirty Dog” (2025) is playful and bold, calling out infidelity over an upbeat groove. “My catalog is like chapters in a diary,” she says. “Each song tells a part of my story.”

Working with Nigerian artist Ajaeze on “Move On” was a standout moment. “We both believe in telling the truth, even when it’s uncomfortable,” Mone’t says. The collaboration was built on mutual respect, laughter, and honest conversations about the meaning behind each lyric. “When there’s real chemistry in the studio, the music just comes alive.”

Music has always been Mone’t’s anchor. She wrote “Reserve Lane” during a period of grief, finding solace in India Arie’s “I Am Light.” “That song reminded me I wasn’t defined by my grief,” she says. Writing her own songs became a form of journaling—a way to process pain and transform it into art. “I hope my music helps others heal the way it helped me.”

Inspired by Beyoncé and Summer Walker, Mone’t strives to be honest about heartache while protecting her peace. “I’ll share my emotions, but I won’t name names or share details that could hurt people I care about,” she says. For her, vulnerability and strength aren’t opposites—they’re two sides of the same coin. “There’s power in admitting you’re hurt, but even more power in choosing to heal.”

Awards and nominations have been both validation and motivation for Mone’t. Winning Best New Artist at the Queen City Awards, Best Solo Performer at Queen City Nerve’s Best in the Nest, and R&B Artist of the Year at the 704 Culture Hip-Hop Awards made her feel seen by her hometown. “These honors gave me the confidence to experiment with new sounds and invest more in my visuals,” she says.

A Mone’t Symone live show is more than just music—it’s an experience. She engages the crowd with call-and-response, shares the stories behind her songs, and isn’t afraid to hit raw, unfiltered notes. “I want people to leave feeling like they saw a piece of their own story in mine,” she says. “If you laugh, cry, or dance, I’ve done my job.”

If her career ended tomorrow, Mone’t would want to be remembered for one thing: “That my music was about loving yourself enough to heal.” Her catalog is a testament to the idea that pain doesn’t have to harden you—it can be the soil for something beautiful.

Looking ahead, Mone’t’s upcoming releases will showcase a more mature, self-assured artist. While the “Hennessy” and “Diamond” era leaned into classic R&B and vulnerability, the next chapter will experiment with neo-soul, Afro-beats, and even jazz. “Dirty Dog” is playful and bold, but new singles will blend that sass with the introspection of “Reserve Lane,” proving she’s not afraid to take risks while staying true to her message.

Mone’t hopes her journey inspires young girls in Charlotte and beyond to believe that you can choose both education and art. “Turning down a big opportunity at 13 didn’t end my dream—it let me grow into it on my own terms,” she says. Her story is one of resilience, authenticity, and commitment to healing. “I want the next generation to know: your timeline is your own, and staying true to yourself is always worth it.”

Discover more and connect with Mone’t Symone: https://linktr.ee/monet.symone

SheIsTrinity is exactly what her name suggests: a multifaceted, evolving woman who refuses to be boxed in. She’s layered—artist, therapist, leader, dreamer—and she’s always in a state of becoming. “I don’t pretend to have it all figured out,” she says. “I’m growing in real-time, learning myself in real-time, and I’ve chosen to own every part of that journey instead of hiding it.”For Trinity, life has been a series of chapters marked by adversity, confusion, reinvention, and constant reflection. But nothing has stopped her from moving forward. “Some people have met different versions of me, and honestly, that’s because I’m always unfolding,” she explains. “SheIsTrinity is a woman with depth, resilience, and a story still being written—and I hold the pen.”Her openness about this ongoing evolution is what makes Trinity so relatable. She doesn’t claim perfection; instead, she invites others to witness her journey as it happens. “I want people to know it’s okay to not have every answer. I’m proof that you can be a work in progress and still be worthy of love, opportunity, and celebration.”

Trinity’s journey is not about a single breakthrough or one big moment. It’s about embracing every chapter—no matter how messy or uncertain. She’s faced loss, disappointment, and the pressure to have it all together, yet she’s learned to honor her process. “I’ve had to reinvent myself so many times. Sometimes you outgrow places, people, or even versions of yourself. That’s not failure; that’s growth.”

For much of her life, Trinity felt the pressure to fit into boxes—especially as a Black woman navigating spaces that weren’t always built for her. “People will try to humble you whenever they can. We have to fight to be seen and beg to be celebrated,” she shares. In college, her ambition and self-belief sometimes made others uncomfortable. “You have to believe in yourself so much that people think you are delusional,” she laughs, “because that’s what it takes.”Being every woman—confident, talented, outspoken—can intimidate people. Trinity knows this firsthand. “I will not be convinced to make myself small for anyone, and I encourage other Black women to do the same because we are the backbone, leaders, and don’t have to accept any less.”She’s keenly aware of the double standards and expectations placed on Black women to shrink themselves, to be less visible, less vocal, less ambitious. “We’re told to be grateful for crumbs, to dim our light, to apologize for being extraordinary. But I refuse. I want young women to see that you can be all of who you are, take up space, and still be soft, loving, and powerful.”

Trinity’s belief in herself isn’t just confidence—it’s survival. “There were times when I was the only one who believed in my dreams. You have to be your own hype woman. You have to pour into yourself when the world is silent. That’s how you keep going.”

Growing up in Dorchester County, Maryland, wasn’t easy. “The odds were stacked against a lot of us,” Trinity recalls. She’s reminded of Robert Frost’s famous line: 'Two roads diverged in a wood, and I—I took the one less traveled by, and that has made all the difference.'Trinity saw firsthand how two people from the same environment could end up on completely different paths. “I remember seeing an acquaintance, one of my peers; we were in the exact same place, dealing with the same environment, and I went on to college, earned two degrees, and built a career as a healer. He later went to jail for life for shooting another one of our classmates. Same starting point, completely different roads.”Dorchester County shaped her by making her resilient, giving her clarity about what she wanted, and teaching her compassion for people’s pasts. “As an artist, it pushed me towards telling real stories. Where I come from, music and the arts were our outlet, our escape, and our way to make something meaningful out of what we didn’t have.”

Her upbringing wasn’t just about overcoming hardship. It gave her a deep sense of empathy and a commitment to using her voice for something bigger. “I want my music to reflect real life—the joy, the pain, the hope, and the grit it takes to keep going.”Trinity’s story is also about gratitude. “I’m grateful for where I come from, even the hard parts. It taught me resilience, compassion, and how to dream beyond my circumstances.”

SheIsTrinity’s story is still unfolding. She’s a woman who has learned to embrace every version of herself, no matter how the world tries to define her. Her journey from Dorchester County to the stage, from student to therapist, from gospel roots to R&B innovation, is proof that you can write your own story—and that every layer matters.“Being SheIsTrinity means I get to be all of me. I don’t have to choose. And I hope my story inspires others to believe that they don’t have to choose either.”

As she continues to create, inspire, and heal, Trinity’s legacy is already taking shape. “I want people—especially young Black women—to know that their story is valuable. You don’t have to fit into anyone’s mold. You can be a masterpiece and a work in progress at the same time.”

Some people spend a lifetime searching for their calling. For me, it happened before I could even spell “entertainer.” My earliest memory of performing goes all the way back to kindergarten. I was just a little girl, singing my heart out in class, when my teacher’s jaw practically hit the floor. She was so flabbergasted by my voice that she whisked me from classroom to classroom, and even marched me into the principal’s office, just so I could sing for everyone. That day, something clicked. I realized I could really sing—and more than that, I realized my voice could move people. That spark of joy and surprise from my teachers and classmates lit a fire in me that’s never gone out.

As I grew, so did my passion for music. I knew if I wanted to turn my gift into a lifelong career, I needed to learn from the best. Enter the Duke Ellington School for the Performing Arts—a place that would shape me as both a singer and a performer. At Duke Ellington, I learned the nuts and bolts of professional singing: how to breathe properly, train my ear, sing from my diaphragm, and open my throat to let my true voice shine. They taught me how to stand and sit while singing, how to read music, and everything else you can imagine to take you along your merry way as an artist. To this day, vocal exercises and warm-ups are my secret weapon. I swear by them—they keep my voice strong, flexible, and ready to tackle any stage.

High school was a time of discovery, and I found myself gravitating toward powerhouse vocalists—artists like Stephanie Mills, Natalie Cole, Aretha Franklin, and Angela Bofill. These women weren’t just singers; they were storytellers, performers, and icons. Their voices left a lasting impact on me, shaping my own approach to music and performance. I’d spend hours listening to their records, soaking up every run, every note, every emotion. Their influence is woven into the fabric of my sound, and I carry their lessons with me to this day.

If I had to pick genres that truly speak to my soul, it would be jazz and R&B. There’s something about these styles that lets me express my emotions in the most authentic way. When I sing jazz or R&B, I feel like I’m having a conversation with my audience—sharing my heart, my story, and my truth. The connection I feel with the crowd is electric. There’s nothing like finishing a song and seeing people still standing, applauding, and looking at me as if to say, “What’s next?” Or when I hold the mic out and the audience sings the lyrics right back to me. That’s when I know I’ve done my job—when the music becomes a shared experience.

People often ask how I keep my performances fresh and exciting after all these years. The truth is, I look forward to seeing my audience every single time. Their energy, their smiles, their excitement—it’s contagious. It makes me happy, and that happiness fuels my performance. I come to every show ready to give it up, to leave everything I have on that stage. I believe that when you love what you do, the audience can feel it. And that’s what keeps them coming back for more.

If I could collaborate with any artist, hands down, it would be Gladys Knight. I can already picture us belting out a soulful ballad together—something that tugs at the heartstrings and brings the house down. And when it comes to getting the crowd moving, “Somebody Else’s Guy” never fails. That song has a groove and energy that just gets people on their feet every time.

For the young artists coming up, here’s my advice: rehearse all the time. There’s no substitute for practice. Watch the big-time artists on TV—not just for their voices, but for their stage presence, their confidence, the way they command a room. Take care of your health and watch your diet, because your body is your instrument. Before every show, I like to meditate and get a feel for the crowd I’m about to perform for. It centers me, helps me connect, and lets me deliver my best performance.

I’ve been blessed with some incredible moments in my career, but a few stand out above the rest. One night, I was performing at a club, pouring my heart into every note, completely unaware that a journalist and photographer from The Washington Post were in the crowd. The next morning, I woke up to find a huge picture of myself on the front page of the newspaper! It was surreal, and a moment of pure pride. Another unforgettable experience was performing at The Kennedy Center for United States Veterans. As an Army brat—my dad was an Army Retired Major—it meant the world to me to honor our veterans through music. Those moments remind me why I do what I do.

If you asked me years ago where I saw myself today, I probably would’ve said I’d be on an even bigger stage. But you know what? Music is my passion, and it keeps me going no matter what. I may not be exactly where I thought I’d be, but I wouldn’t trade this journey for anything. I will never give up, because performing is what I love, and it’s who I am.

At the end of the day, after the lights go down and the crowd heads home, I just want people to leave with a great memory—something that sticks with them, something to talk about. I want them to say, “That girl did dat!” LOL. That’s the magic of music: it brings people together, creates moments that last, and gives us all something to smile about.

For Stone Paxton, music was never just a background soundtrack—it was the pulse of his existence. Before he became a chart-topping artist, award-winning producer, and respected industry veteran, Stone’s journey began in the humblest of settings: surrounded by family, rhythm, and an unshakable sense of possibility.“My first introduction to the music industry was actually at 14 years old,” Stone shares, his voice colored by both humility and pride. “I’d been playing drums since I was a kid, but the real spark came when I was living with my aunt. I’ll never forget it—I was watching TV and caught a video of New Edition performing. That moment changed everything for me. Even though music was already in my blood, seeing them on that stage made me realize that I wanted to be up there too.”It wasn’t just the allure of fame that drew Stone in. It was the energy, the unity, and the realization that music could be a force for connection. That moment in front of the television didn’t just inspire him—it ignited a fire that would fuel his journey for decades to come.

While most teenagers were navigating high school, Stone was already navigating the music business. By age 15, he had secured his first record deal with Brick City Records, an independent label out of Illinois. “To be honest, I think I was more excited about holding the actual contract in my hand than thinking about my future,” he laughs. “It was surreal—seeing my name on a contract, thinking I knew what I was reading. It was the funniest thing.”Although the deal didn’t yield any official releases, it was a monumental step. “That first agreement set the tone for my future. It made me want to keep pursuing my artistry, even though nothing came out under that label. That was the official beginning—my entry into the business side of music. It taught me early on that there’s more to this industry than just performing. There’s paperwork, negotiation, and a whole world behind the scenes.”

Stone’s ambition and vision soon led him to create his own group, T.R.E.—a move that would prove pivotal in his career. “I didn’t just join T.R.E.; I started it,” Stone clarifies. “I was the one who brought together the talent, crafted our sound, and put in the work to make us stand out. I took it upon myself to record our demo, and I was the one who presented it to Dick Scott Entertainment. I’ll never forget the feeling of walking into that office, demo in hand, knowing that this could be our shot.”That bold initiative paid off. Dick Scott Entertainment, already known for managing the likes of New Kids on the Block, Marky Mark, Doug E. Fresh, and Brenda K. Starr, saw the potential in Stone and T.R.E. and offered them a deal. “Securing that deal was a game-changer—not just for me, but for everyone in the group. It was validation that our hard work and creativity were paying off.”Being at the helm of T.R.E. and working with Dick Scott Entertainment gave Stone a unique vantage point. “I had the rare opportunity to be backstage, watching audiences, observing other groups as they were being groomed from the ground up. I saw New Kids on the Block, Perfect Gentleman, and Mark Wahlberg—who was just becoming ‘Marky Mark’—all being shaped into stars.”But for Stone, it wasn’t just about proximity to fame; it was about absorbing the discipline, strategy, and work ethic that went into building a career. “You don’t get to witness that unless you’re really in the circle. It gave me visual and mental tools I didn’t even realize I was picking up at the time. Watching these artists rehearse, seeing how their teams managed every detail, and being part of that environment—it all left a mental imprint on me.”

The lessons Stone learned during these formative years went far beyond music. He saw firsthand how artists were developed, how brands were built, and how persistence, professionalism, and adaptability were essential to survival and success. “I got to see the business from all angles,” he says. “Not just the glamour, but the grind. The late-night rehearsals, the endless travel, the sacrifices. It taught me that talent is only part of the equation—work ethic, humility, and being a student of the game are just as important.”Stone’s time with T.R.E. and Dick Scott Entertainment also gave him a front-row seat to the evolution of R&B and pop in the late 1980s and early 1990s. “Those tours were growing, the audiences were getting bigger, and the music was changing. I learned how to adapt, how to read a crowd, and how to stay relevant even as the industry shifted. Those experiences taught me to always keep learning and never get too comfortable.”

Looking back, Stone credits these early years with giving him the foundation to navigate the music industry’s many twists and turns. “It was a blessing to be exposed to so much, so young. I didn’t realize it then, but every backstage moment, every contract negotiation, every rehearsal was preparing me for a long career. Even the setbacks—like not having a release with my first label—taught me resilience and patience.”He also emphasizes the importance of mentorship and community. “Being around people who had already made it, who were willing to share their knowledge, was invaluable. I learned to listen, to ask questions, and to watch how the best did what they did. That’s advice I give to every young artist now—surround yourself with people who know the business, stay humble, and always be willing to learn.”

Stone Paxton’s beginnings were anything but ordinary. From being inspired by New Edition on television, to signing his first record deal before most kids get a driver’s license, to founding T.R.E. and personally securing a deal with one of the industry’s top management companies, his early journey was a whirlwind of opportunity, challenge, and growth.These experiences didn’t just shape his career—they shaped his character. They instilled in him a sense of discipline, a hunger for knowledge, and an unwavering belief in the power of music to connect, inspire, and transform. Stone’s story is proof that with passion, perseverance, and the right guidance, even the wildest dreams can become reality.As Stone himself puts it, “You never know where your journey will take you, but if you stay true to yourself and put in the work, there’s no limit to what you can achieve.”Pull Quote:
“I didn’t just join T.R.E.; I started it. I brought together the talent, crafted our sound, and presented our demo to Dick Scott Entertainment. That deal changed everything.” — Stone Paxton

Growing up in Newark, New Jersey, in the aftermath of the 1967 Civil Unrest, Malik H. Majeed’s childhood was shaped by an environment both honest and complex. “As a child, I didn’t even know what a housing project was, even though I lived in Kretchmer Homes, also known as Dayton Street Projects,” Malik recalls. “To me, this was just what living in the city meant.”The city’s scars—vacant lots, abandoned buildings, and blackened, smoke-charred structures—were explained to him as deliberate designs for Black communities after the 1960s unrest and the civil rights movement. Yet, Malik’s upbringing in the Nation of Islam offered a broader perspective. “I learned early that the struggle for respect is an enduring journey, a corridor we travel for generations.”

Reflecting on generational differences, Malik notes that the post-1960s remnants were fading as he came of age. “Traveling outside Newark was no longer blatantly restricted by traffic stops,” he explains. The generation after the 1970s missed the visible presence of drug addiction—at least until the crack epidemic. “Disco culture and programs like Newark’s Summer Jobs for teenagers distracted from the harsher realities,” he adds.

Malik remembers a time when older men—fathers, uncles, even local drug dealers—looked out for the youth. “They kept us away from trouble spots and scared us straight when needed,” he says. “Gangs were present, but nothing like today. Now, it feels more like indoctrination from movies and music.” The absence of that intergenerational guidance, he feels, is a defining challenge for today’s youth.

With 12 years as a Corrections Officer, Malik’s view of the justice system is candid. “I’m not convinced there is a justice system—only a system of penalty. Plea bargains exist to protect prosecutors’ conviction records, not to serve justice.” He’s seen firsthand how fear of lengthy sentences drives people to accept plea deals, regardless of guilt. “Society has a problem when people can’t meet basic needs and the government won’t help. Patriotism can’t exist without support for the vulnerable.”

Despite his career in corrections, Malik’s love for history predates his professional life. “History was always my favorite subject in high school,” he shares. It was a family event—the passing of his maternal grandmother—that truly sparked his journey into ancestry research. “At her repast, I realized her great-grandchildren didn’t know we were descendants of American Indians with Cuban ancestry. Their curiosity—and my own—drove me to write.”

Malik’s research led him back to Southampton, Virginia, in 1642—just after the Anglo-Powhatan Wars. “That discovery almost made me fall out of my seat,” he laughs. “It changed the narrative embedded in our mentality.” For Malik, these findings explain his family’s uniqueness and challenge stereotypes: “Our exotic appearance, the curiosity from immigrants, and the stories that block us from understanding ourselves.”

Initially, Malik had no intention of publishing his findings. “I wrote about 150 pages, just for myself. My uncle Edward Patrick read it and was amazed—he insisted it needed to be published. He believed, as I did, that others might share this ancestry and need these answers.”

Malik’s book, “Roc the Mike: Methods of Obliteration of the Native Americans,” delves into overlooked chapters of American history. “Everyone knows about the Revolutionary War, the Civil War, World Wars One and Two. But what about the War of 1812?” he asks. “That was the final era of conquering and subduing American Indians, and it’s when racial ideology was truly established in the U.S.”

Malik challenges accepted narratives: “Suppose there is no African American experience—suppose there’s a difference between Native American and American Indian. The term ‘Native American’ only started after the War of 1812. What are the odds that many slaves in Virginia weren’t African at all?”

For those interested in their own ancestry, Malik offers practical advice: “Study the time frame and the surrounding areas. You’ll be surprised by what you find.”

His hope for the future is simple but profound: “Unify with the authentic identification as American.”

Reflecting on his journey, Malik’s greatest appreciation is for his grandmother’s strong, emphatic stance—her legacy of resilience and love.

“That’s a difficult question,” Malik says. “The obliteration is ongoing. But Allah has preserved the knowledge for us to obtain.”To hear more from Malik H. Majeed and explore these stories further, listen to his podcast:
http://www.youtube.com/@RocTheMikeByMalik

2024 has been a banner year for Sexi Kisha, a multi-talented artist whose momentum shows no signs of slowing. From red carpet performances to international collaborations, Sexi Kisha’s journey is a masterclass in resilience, reinvention, and the power of community. Her story is one of humble beginnings, hard-earned recognition, and a relentless drive to uplift others as she rises.

For Sexi Kisha, the thrill of being named a 2024 Yo ATL Raps Rookie of the Year nominee was more than just another accolade—it was a deeply personal milestone. This wasn’t her first time being recognized by the influential platform, but each nomination brings a fresh wave of gratitude. “I feel very honored and have a lot of humility for the recognition I’ve received. This is my third nomination from this platform! I’m super grateful to Street Sweepa, his beautiful wife, and their team,” she reflects.The red carpet itself was a turning point—a night that would become a defining moment in her career. Performing in front of industry legends, Sexi Kisha delivered what she calls her “best and breakout performance,” a moment that crystallized her belief in her path. “It was such an honor to perform in front of so many incredible legends in the game. That night was a catalyst for me, a sign that all the hard work, the setbacks, and the sacrifices were leading somewhere special.”

Sexi Kisha’s breakout year has also been marked by a series of high-profile collaborations. Her name has appeared alongside Dirty Dee of G-Unit, T-Woodz of SODMG and Rich Gang, and Rich Trappy Quan—each a testament to her growing reputation in the industry. Although many of these tracks were completed without face-to-face studio sessions, the impact was no less powerful. “It’s really an honorable experience. Even when we aren’t in the same room, it’s an enjoyment to put my stamp on the tracks,” she says.Among her most anticipated projects is a collaboration with Krayzie Bone, legendary member of Bone Thugs-N-Harmony, on the track “Drop That,” produced by Wyshmaster Beats. “Sometimes it feels surreal. I think the most anticipated collaboration I did was with Krayzie Bone. That track will be coming out soon, and it’s a total pleasure to work with Rich Trappy Quan as well—what an incredible young, talented artist.” Her ongoing partnership with Dirty Dee is especially close to her heart. “That’s family right there. I appreciate him. Super grateful to the whole G-Unit team—shout out to 50 Cent, true legends!”And, of course, Sexi Kisha’s journey wouldn’t be complete without acknowledging the support and love from SODMG and the iconic Soulja Boy. “Major shout out to SODMG and Soulja Boy for always showing love and supporting me. The energy and encouragement from their camp keeps me motivated and inspired to keep pushing the culture forward.”

In 2023, Sexi Kisha’s journey took a new turn when she became a mentoree of Krayzie Bone. For an artist who grew up idolizing Bone Thugs-N-Harmony, the experience was nothing short of surreal. “Meeting Krayzie Bone was definitely a pinnacle moment in my life that I will always value. Not just him, but the entire squad is legendary! Imagine meeting one of your childhood idols and hanging with them for a day! It can’t get any better, right?”What she gained from that mentorship went far beyond industry connections. “My greatest takeaway was to always remain real and authentic. Krayzie is the epitome of a true legendary superstar—humble, laid-back, filled with knowledge. I learned so much about how Bone started, their history, and got some free insight on living with humility. I experienced firsthand how faith and focus can get you everywhere. I even got a good lesson in golfing—he’s a phenomenal golfer! I’m waiting to see him on the celebrity golf tour or maybe in the next Happy Gilmore movie,” she jokes.

If there’s one place where Sexi Kisha feels truly at home, it’s on stage. Atlanta, she says, has a vibe like no other. “I think my favorite city to perform in is Atlanta. Just the vibe and the love that they show you as an artist is pure. There are so many talented Black artists doing their thing and I love it. It reminds me of the culture of music when I was growing up.”But her love for performing doesn’t end there. Brooklyn’s Daze Summit Festival holds a special place in her heart, and she’s quick to praise the diversity and energy of New York crowds. “I also have a special place for New York. The people in New York are such a vibe, and I love all the different styles that I encountered.”

Sexi Kisha’s rise isn’t just about talent—it’s about understanding the business of music. She’s been featured on podcasts and live interviews across the country, but one experience stood out. “Glitch TV asked some really prominent questions that most artists don’t think about, like if presented with an opportunity, how would you want your money? Do you want it over 10 years in payments, or all in one lump sum? It forces artists to really think more about the business side of music and I love where he’s going with this platform.”For Sexi Kisha, being an artist means being a businessperson. “More artists should really be involved in their business and not just making music and content. Having an understanding of the business and how things work on the backend is the most prominent tool that an artist can have.”

Long before she was gracing red carpets, Sexi Kisha was making her mark as a model and creative director. These experiences have shaped her approach to music videos and performances. “Being a model versus being an artist is a bit different because as a model, you’re focusing more on being creative and hitting the right angles and making it visually appealing to your viewers. You’re also wearing the role of being the creative director—working with dancers, directing the video, collaborating with the videographer, and putting all the outfits together.”The production process is no small feat. “What you think will take an hour or two for production can end up taking 6-8 hours or longer. We were literally working from 7 PM until about 3 AM and we still didn’t finish everything for the video. You have to plan for the budgeting, transportation, safety—making sure everyone gets home safe. As an artist, you’re more focused on your sound and your performance, but the most important part is being able to be versatile and flexible no matter what role you’re required to play.”

Sexi Kisha’s journey has been defined by transformation. She’s worn many names—Niki T., Miszs B., and now, Sexi Kisha—each reflecting a different chapter of her life. “Rebranding is a very prominent part of being an artist. When I was Niki T, I was single, in college, searching for that person I would become. When I became Miszs B, I was married with children and had a completely different lifestyle. Sexi Kisha is the triumphant era—finding yourself after trauma, heartbreak, and pain. This is the strong part where confidence and perseverance win. Sexi Kisha is the overcomer, the individual self persona that says, I have major boundaries and higher standards. That’s who Sexi Kisha is—she’s every woman, after going through some shit.”

This year, Sexi Kisha’s music has crossed borders, with collaborations spanning Nigeria, the UK, and beyond. She’s worked with NG, Okanlamo, KD Kan, Lil Dee, and producers like Chris Keya and Starry Beats. “I feel this is the beauty of music—when you can bring different cultures together to make an iconic track that people love and will remember, that’s timeless. These collaborations also help you learn about different cultures. There are things that can and cannot say, so it’s a great learning experience.”Sometimes, collaboration means overcoming language barriers, too. “I’ve had to ask for things to be translated so I could understand what the artist was saying in their native tongue. International collaborations require a different level of comprehension and understanding, but when the product is finished and comes out beautifully—it’s such a great experience.”

Despite her growing fame, Sexi Kisha remains deeply connected to her roots. Local support, she says, is essential. “It’s wonderful when people from your hometown know who you are and show support. However, I do think some artists outgrow their hometown and have to branch out to other cities and countries to continually grow as an artist. Being cultured and connected are very powerful tools, and I love meeting new people and creating new endeavors.”Her commitment to community is evident through The Sexi Kisha Show, her own platform where she interviews artists, videographers, photographers, and other industry professionals. “It’s my way of giving back. It’s a free way of getting business consultation without having to pay thousands of dollars for it. The show is a wonderful way for me to promote upcoming talent or talent seekers.”

For Sexi Kisha, success is about more than talent—it’s about character. “Just be yourself. Being your true authentic self is always going to be a win! Be humble, have humility, and be most importantly grateful for the people who are giving you these opportunities, no matter how small or how huge the opportunity is. Remain loyal—stay with the people who you start with! The grass is not always greener on the other side. Remember that. And it’s not always what you know—sometimes it’s who you know that can vouch for you! Take care of your relationships. Treat people with kindness and be genuine.”She also stresses the importance of teamwork and support. “You cannot do this alone, so do not try to go against your management! If they advise you to not do something, it’s for your own good. It will save you a lot of heartache and pain if you just listen as an artist. Finally, when you’re losing, still be able to cheer for other people—because it’ll always come back around for your turn to be cheered for.”

Looking ahead, the future is bright for Sexi Kisha. She’s preparing to release new collaborations, launch another season of The Sexi Kisha Show, and unveil a new platform for local artists. She’s also branching out into new ventures, including a partnership on an energy drink. “Everything is for Sexi Kisha if God’s involved. I have some really amazing collaborations that I’m excited about. I feel really honored and blessed, so you can look for those—wait for it! I don’t want to spoil it.”

Above all, Sexi Kisha is focused on leaving a legacy that goes beyond music. “I want my legacy to be known for being real and approachable—that person that always tried to help and do God’s work. I want to be known for always trying to be a solution to a problem instead of a problem. I want to be that individual that connects our culture back to our roots. One that reminds us who we are as Black women and Black men, and how powerful we are when we respect one another, ourselves, and our ancestors, by most importantly, putting down the guns and getting back to community.”Sexi Kisha isn’t just a rising star—she’s a movement. Her story is proof that with authenticity, humility, and a passion for community, anything is possible. As her journey continues, one thing is certain: Sexi Kisha’s light is only getting brighter, and the world is watching.Connect with Sexi Kisha:Instagram: https://www.instagram.com/sexi_kisha
Facebook: https://www.facebook.com/sexikishamusic
Twitter/X: https://twitter.com/sexikisha
YouTube: https://www.youtube.com/@sexikishaFollow her journey, music, and updates on all platforms!

In a world that often demands you choose a single lane, Keara Jewel is a living, breathing reminder that you can be everything—singer, actress, model, animal lover, and storyteller. With a sound that floats somewhere between Lana Del Rey’s cinematic melancholy and SZA’s soulful honesty, Keara is quickly becoming one of entertainment’s most magnetic new voices. And she’s doing it all on her own terms.

For Keara, songwriting isn’t just a craft—it’s a lifeline. “Honestly, most of my songs come from feelings I can’t shake or memories—little emotional snapshots I carry with me,” she shares. Whether it’s love, heartbreak, or that “in-between space where you’re trying to find yourself again,” her music flows from a place of raw honesty and softness. She’s inspired by the kind of late-night thoughts you keep to yourself, weaving them into lyrics that feel both intimate and universal.Her creative process is all about mood. “Usually, it’s the mood first. I’ll feel a certain way, like I’m in my ‘mysterious sad girl’ era, and that energy sets the tone.” Sometimes it’s a melody hummed into her phone at midnight, other times it’s a lyric scribbled on the back of a receipt. But always, it’s about building layers—letting the vibe unfold into something magical.Keara’s sound is a lush blend of influences: dreamy pop, soulful R&B, and that chill, alternative edge. “I think my sound lives somewhere between Lana Del Rey, SZA, and a little bit of early 2000s R&B, with my own twist.” She’s obsessed with mixing vibes, whether it’s ethereal vocals over a trap beat or lyrics that read like poetry.

One song especially close to her heart? “Twin Flame.” “It’s about that intense, magnetic connection where it’s like… this person knows you, maybe better than you know yourself—but it’s also chaotic and transformative.” Writing it was a cinematic, emotional journey: “It felt like pulling pieces of myself together, and I loved how cinematic it turned out. It was emotional, but empowering too.”Her musical heroes are as multidimensional as she is—Lana Del Rey, SZA, Summer Walker, Aaliyah, and Billie Eilish. “They all inspire me to be vulnerable but powerful in my own way.”

As an actress, Keara gravitates towards roles with layers—characters who are more than they appear. “I really try to connect with the character emotionally first, like, who is she when no one’s watching?” Drawing from her own moments of heartbreak and healing, she brings an authenticity to her roles that’s impossible to fake. “It’s about being present, letting the walls down, and trusting that the rawness will come through honestly.”She’s starred in the webseries Struggles of a Pretty Girl and the short film Door Number One or Door Number Two, always seeking out roles that heal or challenge her emotionally.

Modeling, for Keara, is another form of storytelling. “Modeling taught me how to express myself without words, just through energy, posture, and presence. That definitely helps in acting, especially for subtle, emotional scenes. And acting gives my modeling more depth—I’m not just posing, I’m telling a story with each shot.”Her most unforgettable moment? “Walking my first runway show where I felt completely in my element. The energy, the lights, the music—it felt surreal. And now, getting ready for New York Fashion Week? That’s a full-circle moment I’ve been manifesting for a long time.”

Outside the spotlight, Keara’s heart belongs to animal rescue. She recalls a special dog named Coco: “She was older, super smart, and had been through a lot. We only had her for a year, but she left a huge mark on my heart.” Her dream is to one day open a rescue farm—a peaceful place where animals can heal and feel safe.Keara’s platform is about more than just music or fashion—it’s about empowerment. “I want people to know it’s okay to be soft and powerful at the same time. Whether it’s through my lyrics or the things I share online, I hope people feel seen, understood, and inspired to go after their dreams too.”

Keara is living proof that you don’t have to fit in a box. “You can be glamorous and down-to-earth, strong and sensitive, artistic and business-minded. I want my work to remind people that it’s beautiful to be fully themselves.”Balancing it all is a “dance,” she admits. “I try to prioritize rest, time in nature, and quiet moments for reflection. I’ve learned that pouring into myself helps me pour into my art.”

Her growing fanbase is a continual source of inspiration. “When people message me about how a song touched them or how they see themselves in my journey, it reminds me why I do this. I feel like we’re growing together—it’s not just about me, it’s about the community we’re building.”As for dream collaborations? “Definitely Beyoncé. I mean… iconic. Whether it’s music or fashion or just sharing space with her energy, that would be a dream. I’d also love to do a moody fashion campaign with someone like FKA twigs or shoot a film with Jordan Peele.”

Looking to the future, Keara sees herself “touring, walking major runways, starring in a feature film, and maybe winning an award!” But above all, she’s excited to keep evolving: “I’m excited to create art that moves people, and to build a life that feels like me in every way.”And for those just discovering her? “I’m just a girl with big dreams, a soft heart, and a lot of stories to tell. If you love music that feels like a late-night drive or a healing cry session, I got you. Welcome to the journey—it’s only getting started.”Listen to Keara Jewel’s music and learn more about her journey:

• “Used To”: https://soundcloud.com/kearajewel/used-to-1
• “Twin Flame”: https://soundcloud.com/kearajewel/twin_flame
• Read more: Shoutout Atlanta interview – https://shoutoutatlanta.com/meet-keara-jewel-actress-model/